Category: Uncategorized (page 1 of 2)

[Album] CDot Honcho – H4

Chicago’s Cdot Honcho first caught my ear on Joey Purp’s project, Quarterthing, and upon discovering his SoundCloud, I saw that he had just released a project. H4 is the ten song album from the Windy City artist with features from Chief Keef and Lil Durk. It’s driving over the speed limit, punching you in the face, and absolutely annihilating your ear drums. What a ride.

Ben Niespodziany
Twitter: @neonpajamas

NEW TRACK : sameflannel // Survivor Guilt (prod. RevnedBeats & Crow Sign)

“If you’re gone, why the fuck am I here?” … John Daniel aka sameflannel gives us ‘Survivor Guilt’ a tale about the pain of life after the death of a close friend or family member … Hit the track below, and keep an eye out for more from this Minnesotan youngin’ real soon!




“SURVIVOR GUILT” + prod. RevnedBeats & Crow Sign + mixed by Doza / IG: @dozadoesit_





2009 and Beyond : 10 Years Behind the Lens with Shedrick Pelt

After hearing  Shedrick was putting out a new book we got inspired to start covering more artistic projects besides video and music releases. For our first non-music feature we are focusing on Shedrick Pelt and ‘2009 and Beyond’ a photography book that compiles some of his finest and most intriguing shots from over the last ten years.

Some of you may know Shedrick has a little history with the label. First introduced through the longtime homie Supa of Sortahuman; we met the fellow Huntsvillian (Shedrick) and his brother Dizzy D when they came up to Nashville in 2012 to support and document a rare occasion. Sortahuman and Dizzy D opened with a set at a show with headliner Riff Raff in a now-defunct boutique shop in downtown Nashville. Footage from this night can be seen in the Sortahuman X Dizzy D collab video for “BOUT THAT.”  (Also Shot and edited by Shedrick) We’ll save the finer details of that wild night out for another time. You can get a good idea of the amount of debauchery from the intro alone…

We worked with him for a good portion of our early releases and he helped develop the standard we set and try to break with every release. He was with us from the first release “Supasonic’ (Supa Sortahuman X Shawn Kemp) and we eventually put out ‘Pine Grove’ by his bro Dizzy D and we have worked with him as recently as our release for Mr. Muthafuckin’ eXquire ‘Live Forever.’ Shedrick was working with him as a photographer at the time and approached us about a rare release opportunity and he secured that addition to the Candy Drips catalog.

Before and after his time helping Candy Drips Shedrick was busy grinding and building his brand and resume as not only a go-to graphic artist but also as a sharpshooting photographer as well. SdotPdotmedia has done a lot over the last decade. From small business features to shooting live sporting events and concerts he is always taking the initiative to approach his subjects from all angles. He keeps his focus on unique marketing materials while maintaining his roots and always aims to grow within art communities on both underground and main-stream levels. His talents also extend to product promotion and video production. He really is capable of handling a whole marketing campaign from concept to execution and every physical element along the way.

“The book, 2009 and Beyond, is a visual journey through my history as a music photographer and with emerging and world-class artists. Documenting the culture has always been about “boots on the ground”. Whether in DC, New York, Austin, or Berlin, street level is where I want to be – not watching from afar or sitting behind a Mac screen. Right in the mosh pit or on top of a garbage can to get the perfect angle. Images found in this book will give you a glimpse into what it looks like through my lens. I’ve been blessed to revel in many precious seconds and document a culture that is highly exposed, heavily attended, but rarely experienced.” – s.pelt

Check this video out of Shedrick’s visit to SXSW in 2013.

With over 120 photos of some of our favorite artists, artists we’ve seen go from underground heroes to super star status like Kendrick Lamar or Vince Staples to underground underrated taste makers like SpaceGhostPurrp and Main Attrakionz; ‘2009 and Beyond’ is one to cop for the culture! This release is inspiring for us and we all know that’s the reason we do any of this; rap, draw, create and build; to express and inspire! Follow Shedrick and his adventures over the last few years from more intimate concerts to major events like SXSW.

If you move fast you may be able to score a free long sleeve shirt with your purchase of the physical book!  Shirts feature some mono-print versions of pictures from the book. The shirts were made in collaboration with and include original designs on the sleeves from Trill City. Sizes and colorways are limited. ALSO For a limited time let’s say through the end of September, we will honor a 50% discount off your order on our web store. Email us proof of purchase for ‘2009 and Beyond’ at ( and use the code “SDOT2009” before making your payment!

We want to do the most for independent artists who are helping to build a scene and document the experiences of these efforts to share with those who support us and our vision and we want to do the most for those supporting them and us! Look forward to seeing similar discounts in the future. Check out some more photos of the book below and fresh pics of the pre-order shirts as well!

Print: | Digital: Amazon & iTunes

Instagram: @sdotpdotmedia | Twitter: @sdotpelt | Website:


U.D.F spitting ghostly game

The Seattle spawned collective UNITY DIVERSITY FREEDOM are not for play but do yourself a favor and play all their releases. Consistently pushing the line of creativity in for lack of a more Based opinion, stagnant times. Underworld Dust Funk is a fitting acronym indeed. It is very fitting that UDF hails from Seattle. The northwest city has been the hunting grounds for like 50% of the world’s serial killers. Excellent dining choices due to it being a harbor city with an influx of (shoutout my filipinos!) immigrants. Class A drug epidemics out the frame. An of course, an amazing music scene empowered by its remoteness to bigger hubs. It is a beautiful and dark place that shines through in their music like looking through a monocular at a blood diamond, with blood on it.

And that duality can be felt on this aptly named EP, Paranormal Macktivity. A nice and  nasty eight track posse comp curated and produced almost entirely by Khrist Koopa*with a co-production from Trowa Barton on just one track. I want my dark rap to have depth, texture, occult flourishes mixed with hood vernacular. This is it right here.

Starting off wit a bang, on Checklist, the currently incarcerated (free the guy) Dizzi Slick delivers jail phone recorded lyrics a la Godfather Buried Alive era Shyne that Khrist built an ominous beat around after that personally reminds me of the Tales From the Darkside intro so I’m locked in. On Sneak & Geek BB Sun spills west coast playerlistics next to the recently recruited but always underground elite, AJ Suede who matches his energy and also mastered the whole album.

Martis Unruly runs up next on Soothsayer with the Suede God dripping real screwface summoning incantations. Then BB Sun charges up back to back on Like a Baby and Going Shopping that both have Bay Area/Detroit slick talk notes but that is a universal street mackin’ ass style and it still sounds original and very UDF. Martis Unruly continues the kinetic energy of Paranormal Macktivity with Black Chad and No thy Self. Dizzi closes out the tape with Illegal, a track that could open a Seattle crime series similar to The Wire. Set in South Park? Pigeon Hill? Rainier Valley? I don’t know but I’d watch that show off the rip. Sheeeeit, I’d write/direct and produce it my damned self.


Twitter: @BLAMLORD

Lil Percy’s New Record ‘Revenge’ is OUT NOW


      On ‘Revenge’ this Virginian rapper’s latest, Lil Percy sounds like he just woke up, sparked up and couldn’t help but go off about the bullshit permeating his atmosphere and his M.O. is flexing. He rises above, dismissing all the obstacles in his way with exhales of legato flows, and Percy isn’t just blowing smoke. Take a ride on this very airy and dynamically punchy roller coaster of intoxicated confidence v.s. introspection, and don’t let the clouds get in your eye, Percy isn’t some old weed rapper, he’s got an energy that’s uniquely chill but far from a mumble.

It’s been said that the best form of Revenge is Success, and while nothing is guaranteed in this life, Percy is gonna get to the top at some point. Paralleled with the progression that the album takes as a whole is his idea of success in self expression and the ability he sees within himself to make his own way and not waste anymore time with fake love and friends or foes. He has his eyes on the prize and he’s locked in.

If “Revenge” were a hot sauce, and it definitely is some flames, it would be a “creeper” … starts off with plenty of flavor and insight into the tracks ahead but it definitely builds as it goes along, keeping you intrigued and feeling like you can’t get enough. With only 12 tracks averaging less than two and half minutes each, you reach the albums last song and aptly titled “Ending” before you know it. This is a great pre-game or after party soundtrack, not anything to sleep to but would suit you well if stuck in stand still traffic with a little time and angst on your hands and visions of achieving your wildest dreams or having the best possible time trying.

This single was featured three weeks ago by LOST APPEAL on their exclusive sound cloud page – you should definitely give them a follow.

They did a nice interview with Percy last year as well.

Go and get a copy of the limited CD release over at Blackhouse Records webstore or stream the album via any major streaming service now!

people to follow on twitter and otherwise;

Lil Percy : @vacantmayne

Holligan Records : @hooligan_world

Lost Appeal : @lost_appeal

Blackhouse Records : @blackhouse_recs




Twitter; @candydrips

[EPs] Updates with Zubin and Friends

Vocalist Zubin is a new name for me, but he quickly grabbed my attention by being in great company. Last month, he released the six song EP, Misery. Fully produced by Nedarb (who we interviewed back in October), the project is sorrowful, atmospheric, and full of falsetto. It’s something to play on the late night when you can’t get a text back.

Showing no signs of letting up, Zubin followed up his EP with Nedarb by releasing the split single Potion. Featuring Horse Head, Fantasy Camp, Cold Hart, Foxwedding, and Jon Simmons, the collaborative singles come and go too quickly. So damn good.

Ben Niespodziany
Twitter: @neonpajamas




Marcy Mane – ‘Need to Count It Up’ OFFICIAL VIDEO from the 27 track LP ‘LEON’ (2017)

Goth Money Vet and Underground OG Marcy Mane brings us a new video of the Lo Fi banger produced by Posh Prada “Need to Count It up.” With edits and direction by BLANCOPAGES, this smoke-filled and cloudy video is chopped to fast and slow perfection.The chops and lo-fi tape filters are a signature essence of the Goth Money Aesthetic– always having a truly new-school take on old school techniques of visuals and musical timbres. Something we’re obviously a fan of. Check out the man in his natural element, smoked out, grinding and keeping it low key to the ground but always fresh, even in the dirt. ‘Need to Count It Up’ is already raking in the views, it’s another one in the bank!

Click the link below to listen to Marcy Mane’s 2017 release ‘Leon’ on Spotify

Marcy Mane – Leon


Video Directed by BLANCOPAGES
Beat by Posh Prada

[Album] P2THEGOLDMA$K – Beyond Cloudt

San Antonio legend P2THEGOLDMA$K has released his first R&b/dance album in the form of Beyond Cloudt. The seven song project is an oozing journey of thick bass and fireside vocals. Invite P2 to your next dinner party, your next wine gathering, your next soiree. He just leveled up.

Ben Niespodziany
Twitter: @neonpajamas




Go ‘head Nattymari. I’d really love to see him live with a few projection screens, fog machines and promethazine. He is the beast in the house of witch just melodically plodding through, one uncategorizable thump at a time.

I wrote this seven years ago and it still rings true. The uncategorizable thump connoisseur Nattymari returns with a new album out now on the equally underground Clan Destine Records. Both stalwarts in the witchhouse scene but known for so much more than that labeling, Natty and Carl Clan Destine have pushed real vibes, championing DJ Screw, obscure southern rap, house, techno, minimal synth, LoFi and basically all things experimental. Much like this label Candy Drips, and its creators. It comes from a crystal clear love of rap and electronic music, all its filthy aspects, a desire to explore them, cultivate them, contaminate the mainstream from fissures in the depths while never engaging much with it, except to maybe snatch a sample, illegally. Which brings me back around to that wanting to see him live bit, it wasn’t meant to be, Nattymari is a ghost in the machine, a recluse, transmitting from a self commited exile.

I don’t want things to go back to any Golden Era in music, I just want progression through experimentation and Nattymari has never let me down. Through tracks and visuals he has been throwing down the gauntlet for over a decade. And this album, Too Late Dont Read is no slouch in the throwed department.

From the jump,  its already a journey.  Gypsy Woman is a mellow, warped percolator that begins to jack like a raver dragging themself from the floor once the ecstasy high has burned off a little. The bass on His Masters Whisper is ominous and Nattymari utilizes hi-hats like the Legendary Traxster did in the 90s, he weaponizes them.  I’ve Seen The Greatest Minds Of My Generation Destroyed By Meme Music gives me chills,  a fully layered jaunt that reminds you, if you were fortunate enough to see them, of the videos he has created to accompany his sonic mutations.  Its that fleshed out. Speaking of flesh (trade) And Super Creep sounds like a sex droid malfunctioning, humping the floor, crawling spider-like towards its horrified client (soon to be victim) while it’s insides violently bleep glitched music snippets as sparks shoot from its orifices. On If This Was Seven Years Ago All You Rappers Would Be Juggalos, a monster synth line is accompanied by a hilariously angry diatribe.

The B side starts with the slow burn of Her Smell and the Impact of Evil then immediately revs up next with Hose, an off kilter beat with uptempo club touches and the title track, T.L.D.R has that post footwork urgency too.  Next up, Cubby Ting is a dubby ting, a King Tubby ting, skanking along at a real rude pace.  Slowing it down even more, Fuck Everybody hits that boulevard cruising speed and plays like a DJ Screw grey tape that has been warped in the heat of a Cadillac glove compartment. Complementing the chaotic flow of this album Bama Ghost is the only feature on the next track, Got All That Somethin with a delivery like a based Brotha Lynch Hung or more accurately, a Houston freestyle like my personal favorites, Big Wen from Beltway 8 or Al D from S.U.C. Kaybar closes it all out with a ghetto tech and breaks adventure clocking in at a minute and a half. Its not just some beat tape. It’s different. It’s Nattymari

Twitter: @BLAMLORD

[VIDEO] Adot – Rolling

Chicago rapper Adot went absolutely apeshit with his newest set of visuals. The 85 second animated music video feels like a virtual reality mushroom high, taking you through wormholes and new dimensions. Courtesy of Nick Visuals, the animation does nothing but assist the already strong song, which comes produced by Draedaskimask and which you can stream below.

Ben Niespodziany
Twitter: @neonpajamas

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