The name of this song is the unfortunate truth: summer is, in fact, over. Swedish producer Vozla takes to the woods in the visuals for his fittingly titled instrumental. Enjoy the lofi “video diary” up above and be sure to stream the song down below.
Lucki kickstarted the summer with the 18 song project Watch My Back. With production from Clams Casino, Plu2o Nash, Grimm Doza, and more, the project was perfect for the June and July heat. Just last month, he released another heater in the form of “You Called Me” which comes produced by 16YROLD and YUNGLUNCHBOX. It’s a two minute smoke break, one I promise you desperately need.
Mick Jenkins has been touring heavily these last couple of years, and this song is a testament to the ‘in transit’ hours that can truly test patience. Rather than scroll the web into a wormhole of boredom, the Chicago MC turns the purgatory into a ‘2 minute drill’ where he goes in on THEMpeople production and gets geographic inside dense bars. Don’t sleep.
San Francisco (by way of Chicago) producer Joe Nora released the track “Jaguaar” earlier this year. Featuring the famous vocals from Jay Z and Jermaine Dupri, the song initially took me into a whirlwind of past experiences and verses. Thankfully, UK artist Kelvo acquired the instrumental and did his own thing on the track, replacing the vintage verses for something new and refreshing. I can’t get enough of this song, which is the second time that Nora and Kelvo have worked together, and hopefully not the last.
It's been about three years since we heard from the NYC rapper Lakutis, but he has zoomed back like Ghostrider on the ridiculous banger "Motorcycle." Lakutis' style has always been a balance dark and aggressive, lyrically and technically impressive but also the totally absurd. And "Motorcycle" is no different.
"Motorcycle" is very minimal. The beat's mostly drums, bass, street fighter taunts and horror movie screams. The hook (which is most of the song) is really just "Motorcycle, bitch rrrroooooowwww!" He does get into a quick, and super witty verse –"Your shit fake Saucony Only," "Bitch it's over…walkie talkie" –before zipping back off into the dark night. The hilarious onomatopoeia adlibs are the real highlight of "Motorcycle" though. In the background Lakutis vrooms, glugs, beeps and even makes 8-bit punching noises all over the place. It's great to hear a new track from him, and I'm hoping this is a sign of more Lakutis tunes to come.
Kelela’s new single “LMK” is an epic song about a small moment in time. She meets someone and flirts briefly. She’s about to leave, but wonders about a potential, casual hookup. Even though the stakes are low –“it ain’t that deep either way”– the song freezes this moment in time. Kelela’s voice and her songwriting on “LMK” are as strong as ever. Late on the track she even raps a little with a flow that reminds me a bit of the bars Prince spits on the legendary “Sexy Motherfucker.”
Jam City’s beat for “LMK” is, like most of Kelela’s work, reminiscent of ’90s R&B, but deeply warped and dystopian. This is maybe a lighter song than we’ve heard from her in the past, but it is still very Kelela: mysterious, ambitious and unique. Kelela’s new album Take Me Apart is out in October.