We Gone Be Alright
We Gone Be Alright
drippin so pretty- worthless
Pre-post intro : today is the 2nd anniversary of our blog here at Candydrips.com ; we haven’t done as much as we’d like but we have been blessed with some choice interviews over the past couple rounds of seasons ; Thanks to all readers and contributors and anyone supporting our company by buying tapes and merch! We wouldn’t be here without you all!
Today is June 27th and in the spirit of screwston and to honor this sacred date – big DeMo’s Birthday and the date of the infamous posse cut June 27th vol. 2 tape / epic freestyle we present Colin Taniguchi an artist that has designed custom shirts and paid tribute to some of his favorite Houston, TX rappers ! I won’t spoil too much – just peep the interview and head over to this mans IG to see the proof! also see a link at the bottom of the post for the June 27th release / Houston,TX ‘Screw’d 4 Lyf’ tribute shirt! Pre-orders are over today, but dm to request a size or get your order in ASAP!
For our first Artist Series T-shirt, Candy Drips reached out to the Bay Area’s own Colin Taniguchi to design a graphic celebrating the indelible impact of DJ Screw and his music. Aside from his amazing handdrawn graphics on Pro Club tall tees (which blew me away), Colin was an obvious choice for this project as he’s an avid Screwhead with an insane rap cassette collection. I recentlly had a chance to chop it up with Colin about his art, cassettes and DJ Screw. Kracka out!
ANIMALKRACKA: Who are you and what do you do? How would you describe your art? Where are you from and how does it influence your art?
Colin: My name is Colin Taniguchi and Im an illustrator,100% hand-drawn is my forte. I was born in Daly City,CA but raised in Richmond & parts of San Pablo most my life! I would describe my personal art as just my reality. Most my drawings are the homies kickin it & good times in my life that im tryna immortalize. Or any cute shit that comes to mind when Im in my head rlly. Im from the bay so all that comes into play wit my style via the colors I use to the details in every drawing,just want people to have an idea of where im from witout telling them.
ANIMALKRACKA: How and why did you start doing custom hand drawn T-shirts? How can one get one?
Colin: I honestly started doing hand drawn t’s for fun. Didnt think it would turn into something fools would want,I just kept getting more orders. To the point I quit my job because of it! Now im fulltime freelancing. Anyone can get a piece of clothing hit by me,just dm!
ANIMALKRACKA: How did you get into collecting cassettes? How did you first become interested in DJ Screw’s music and how has it influenced your art and life?
Colin: My love for cassettes started the moment I found my pops tape case when i was 11. Shit was filled with bay area joints,what caught my eye was RBL Posse’s Lesson To Be Learned. Funny thing about Screw’s music was I was confused when i first heard it and looked passed it,then I rlly put the time and really listened a few years ago and been hooked ever since. He started a whole era which birthed my favorite rappers & it influenced my style alot bc I slap it alot while i draw.
ANIMALKRACKA: I recently seen a picture of Lil Flip rocking one of your custom t’s. How does it feel to see people rocking something you’ve created?
Colin: Flip rockin my shit was super surreal,s/o Slumped Boyz for the flick! I flip out on anyone rocking my shit. It means so much to me to see it. Hypes me everytime.
ANIMALKRACKA: what are the essential tools to your craft that you can’t live without?
Colin: Essentials I cant live to my craft I cant live without are;my brehs,that smooth gfunk,my prismas/copics,& a good head space.
ANIMALKRACKA: Who have you collab’d with? Where can people check out desing work you’ve done?
Colin: I dont collab with alot of brands or people,im real careful bout it. But notable ones are Absent,GX1000,& Bryan Rivera(100br) for Rolling Loud. Im gonna set up a website soon though,I dont post 80% of commissioned things ive done & people always ask to see!
Soulja – damesnotdead and kirblagoop official animated video
One of our favorite new artists on our radar Jordan Isaiah brought the noise earlier this year with ‘Thank You / Pay Me’ (Blackhouse Records.) On this album we saw multiple producers and a variety of deliveries. When Jordan hit us up about his latest we had to see what he was working with and put some support on the project!
The ‘Jordough’ EP is a raw collection of 9 songs showcasing a timeline of collaborative efforts between Jordan Isaiah and Kansas City based producer Doughboi Phlex. The project is presented by Doughboi and highlights his growth in production and vocals.
To those who haven’t yet noticed, the tape’s name breaks it down with the idea of two “sides.” : “Jor”, short for “Jordan” and “dough”, short for “Doughboi Phlex.” The sides are broken up by an interlude titled “Time Interlude.” The tracks for each side were chosen by preference of the sides’ namesake and feature that person a little heavier throughout the selection.
The whole tape is tied together by something more than the obvious factor of sticking with the same duo throughout. The delivery on all tracks is a culmination of ego-boosted lifestyle bars with an heir of aggravated and warranted entitlement. Based on work put in, determination and passion behind the project these artists know they are onto something. Being that it took a few years to compile this collection of recordings you will notice a slight sonic difference in the mixes from track to track but the energy remains constant throughout.
Starting out the gate with the “Jor” side we are summoned by a whispering chordal wash and eerie bells plucking a melody before Jordan comes in with loosely doubled vocals on the songs hook singing “said we made it through the worst / now every day a holiday ; said we started in the mud , so every day we elevate.” This showcases duality; juxtaposition of a celebratory anthem over an overtly chill but mysterious melody. It isn’t a song about wallowing in the mud, it’s about rising and coming up from that place while maintaining a reverence and appreciation for the struggles since the journey began. The two voices kind of symbolize the harmony of past, present and future existence.
The rest of side “Jor” is immediately more hype, starting with the powerful delivery and regal production on Lilith freestyle ; to the inciteful irony of “Unconcerned”, a title that implies apathy but lyrically suggests anything but. The confident delivery from Jordan is paired with smooth 16’s, adlib assitance and chorus work from the Doughboi Phlex. Check out ‘Exotic’ for a prime example of what Doughboi is capable of.
The neutral track ‘Time Interlude’ is a very big change-up from the rest of the record. Being far removed it serves its purpose well to break up the flow a bit with some icey chords and what sounds like a radio scanning the airwaves trying to breakthrough the dimensions of time and space all over a minimal triplet thump from a dull but punchy kick. The searching tones in the background remind me of a radio attempting to dial into the frequency somewhere between space and time – is this what a time machine might sound like? Have you ever watched the first episode of the original ‘Outer Limits’ show?
The duo pops the ‘dough’ side off hot with ‘Myxed Up’ a bopper about staying true to yourself through the changes and confusing times you experience on your way to success. The rest of the EP turns to a low key point of smoked out cockiness. Doughboi Phlex compliments Jordan’s style in a way only he can; from the perspective of the producer.
One of the standout tracks led by Doughboi is ‘Watchin Me.’ This introspective paranoid confession may actually give you the creeps. The production elements are similar as most of the tracks on the ep but this one is a much slower and darker tune than anything else present. Starting off depicting a recent nightmare where he was shot it seems that the stress of striving for his goals and maintaining his normal life is catching up to him in more ways than one. It’s hard to maintain relationships as it is when you are struggling to survive and achieve your goals, but success can attract all kinds of unwanted energy from those we know and normally trust. That could also bring up dealing with your inner demons as Phlex references in the chorus.
Each track is relatively short at an average of under 3 minutes. It’s an easy listen through that gets better with repeat plays. The project is now streaming on all services!
Follow us on twitter @candydrips
Keep up with Jordan: @JordanXisaiah
Keep up with Doughboi: @Doughboiphlex
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